Artist: Milton Nascimento
Genre(s):
Pop
Latin
Folk
Jazz
Discography:
Perfil
Year: 2006
Tracks: 16
Pieta
Year: 2003
Tracks: 16
Tambores de Minas
Year: 2002
Tracks: 17
Millennium
Year: 2002
Tracks: 20
Maria Maria
Year: 2002
Tracks: 18
Gilberto Gil and Milton Nascimento
Year: 2000
Tracks: 15
Millennium: Milton Nascimento
Year: 1999
Tracks: 20
Crooner
Year: 1999
Tracks: 16
Nascimento
Year: 1997
Tracks: 12
Amigos
Year: 1994
Tracks: 12
Minha Historia
Year: 1993
Tracks: 14
Angelus
Year: 1993
Tracks: 15
O planeta blue na strada do sol
Year: 1991
Tracks: 11
Txai
Year: 1990
Tracks: 15
Personalidade 2
Year: 1990
Tracks: 14
Yauarete
Year: 1987
Tracks: 11
Encontros e Despedidas
Year: 1985
Tracks: 12
Ao Vivo
Year: 1983
Tracks: 13
Missa dos Quilombos
Year: 1982
Tracks: 15
Anima
Year: 1982
Tracks: 11
Ultimo Trem
Year: 1980
Tracks: 18
Sentinela
Year: 1980
Tracks: 13
Jurney to dawn
Year: 1979
Tracks: 12
Clube da Esquina 2 (cd2)
Year: 1978
Tracks: 12
Clube da Esquina 2 (cd1)
Year: 1978
Tracks: 11
Geraes
Year: 1976
Tracks: 14
Minas
Year: 1975
Tracks: 13
Milagre Dos Peixes Ao Vivo
Year: 1974
Tracks: 16
Milagre dos Peixes
Year: 1973
Tracks: 11
Clube da Esquina
Year: 1972
Tracks: 21
Milton
Year: 1970
Tracks: 13
Milton Nascimento
Year: 1969
Tracks: 10
Courage
Year: 1969
Tracks: 10
Travesia
Year: 1967
Tracks: 10
MPB Compositores CD 19
Year:
Tracks: 12
Minha Historia
Year:
Tracks: 14
International singing champion and songster Milton Nascimento may have his roots in Brazil, only his songs have stirred audiences all over the world. Born in Rio, Nascimento's adoptive parents, both andrew D. White, brought him to Tres Pontas, a small town in the united States Department of State of Minas Gerais, when he was two. His mother american ginseng in a choir and at local music festivals, often accompanied by Milton. Nascimento's father was an electronics tinker, maths teacher, and at one compass point ran a local receiving set station where a young Milton on occasion worked as a DJ. He began tattle as a teen. When he was 19, Nascimento affected to the washington Belo Horizonte and began tattle wheresoever and whenever he could. Finally he caught a break away when the kill singer Elis Regina recorded one of his songs, "Canção do Sal," in 1966. Regina got him a display case on a popular Brazilian TV programme, and after playacting at Brazil's International Song Festival the next year, his career was launched.
In 1972 he collaborated with comrade lyricists Márcio Borges, Fernando Brant, Ronaldo Bastos, and other friends to record Clube da Esquina, a double album that spurred trey strike singles, including "Cais (Dock)" and "Cravo é Canela (Syzygium aromaticum and Cinnamon)." The singles ar still existence recorded and induce become standards in Brazil o'er the eld. Since he began recording with his self-titled debut in 1967 for the Codil pronounce, Nascimento has written and recorded 28 albums.
Nascimento's many achievements include Grammy nominations for his O Planeta Blue na Estrada do Sol in 1992, and in 1995 for his Warner Bros. debut, Angelus. Nascimento is also victor of the 1992 Down Beat International Critics' Poll and the 1991 Down Beat Readers' Poll. Nascimento has toured throughout the U.S., Europe, Japan, and Latin America.
His lengthy discography includes Bravery, a 1969 album for A&M and John Milton Nascimento that same year for EMI Odeon; John Milton, likewise for the EMI Odeon pronounce, recorded in 1970, and then quartet more albums for the pronounce EMI Odeon: Clube da Esquina (1972), Milagre disk operating system Peixes (1973), Milagre disk operating system Peixes (Ao Vivo) (1973), and Minas (1975).
His other titles include Native Dancer (CBS, 1976), Geraes (EMI Odeon, 1976), John Milton (A&M, 1977), Clube da Esquina 2 (EMI Odeon, 1978), A Brazilian Love Affair, a collaboration with George Duke (CBS Records, 1980), Journey to Dawn (A&M Records, 1979), and a series of cinque albums for Ariola: Sentinela (1980), Cacador de Mim (1981), Missa disk operating system Quilombos (1982), Anima (1982), and John Milton Nascimento ao Vivo (1983).
His output through the catch one's breath of the eighties and '90s has been unfluctuating and authentic, though never musically predictable. Like any true jazz and bulge ex-serviceman, Nascimento has a inscrutable want to go along challenging himself, vocally, lyrically, and stylistically. Nascimento's other releases include Encontros e Despedidas for Barclay in 1985, Corazon Americano for PolyGram in 1986, A Barca disk operating system Amantes for Barclay in 1986, Milton/RPM for Epic/CBS in 1987, Yauaretê for CBS in 1987, Miltons in 1988 for CBS, Txai for the same tag in 1990, and O Planeta Blue na Estrada do Sol for CBS in 1991.
In the mid-'90s, Nascimento switched to Warner Bros. He released two splendid, promptly available albums for the judge, Angelus bell, his twenty-seventh transcription, in 1995, Amigo in 1996, Nascimento in 1997, and Crooner in 1999. He returned after a short foramen in 2003 with Pieta, followed by The Essential Collection: The Best of the EMI Odeon Years (1969-78) in 2006.
This magnetic Brazilian whizz simply won't dull down whatsoever time soon, and whether he's boxing a sports stadium in Brazil or tattle at a golf club in New York, his experient leg persona allows everyone in the hearing to experience as if they're in his living room. On Angelus, he's coupled by saxophonist Wayne Shorter, wHO pays testimonial to Nascimento's 1975 Native Dancer LP, the heights point of which was the deduction between Nascimento's voice and Shorter's saxophone. That album helped to solidify Nascimento's shoes on the external jazz and bulge view in the seventies. Whatever he writes and sings about, be it the planet, slipway of living, and loving and dying, his music has always carried an everlastingly affirmative intent. As he entered the millennium, Nascimento south Korean won a Grammy for Best Contemporary Pop Album for 1999's Crooner at the commencement annual Latin Grammy Awards in fall 2000.
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